Held in the artist’s home region of Jangseong, this exhibition presented Korean ink-and-light-color paintings inspired by the ancient pines of Baekyangsa, the coastal pines of Taean, and landscapes of North Korea. The exhibition explored the pine tree as a symbol of contemplation, compassion, healing, and hope.
View source: BBS News →
This special exhibition presented Lee Byung-Man’s signature ancient-pine paintings. The works explored the traditional Korean ideals represented by the pine tree, including integrity, loyalty, moral courage, and longevity.
View source: BreakNews →
An exhibition of major pine paintings reflecting the artist’s sensitive observation of nature and his interpretation of the Korean pine as a symbol of enduring character, dignity, and spiritual strength.
View source: Buddhist Daily →
The exhibition presented 36 ancient-pine paintings completed over approximately four years. Several works were inspired by photographs of pine trees and landscapes in North Korea, reinterpreted through the artist’s imagination and traditional Korean painting techniques.
View source: Pressian →
A presentation of pine and ancient-pine paintings developed through decades of artistic study. The exhibition emphasized the pine tree’s traditional associations with integrity, constancy, loyalty, longevity, and the spirit of the Korean scholar.
View source: Buddhist Daily →
An exhibition centered on the depth of Korean ink painting and the quiet strength, dignity, and enduring spirit of the pine tree.
View source: Consumer Times →Alongside his studio practice, Lee Byung-Man has participated in numerous public-art and community mural projects.
This page presents a selected record based on currently available exhibition reports and published career materials. For exhibition, acquisition, and artwork inquiries, please contact us.
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